I am awakened by the bell.
It’s happening so often now that
I’m convinced I’m going crazy—that somehow, someway,
I’m beginning to lose my mind. The more I think about it, though, the more
I can’t help but wonder:
Is it really, truly just the bell? Or is it my best friend
trying to give me a signal from the great beyond?
Oh, Caroline, I think, and close my eyes.
From my place beneath my bedroom
window, where I lie beneath the full light of the blazing moon, I try my best
not to focus on the incessant ringing that continues to echo from the distance.
It is a dark and unfortunate night—filled with doubt just as much as there is
grief—and though I fight to keep from collapsing internally, externally I feel
like a porcelain doll, just about ready to crack.
Caroline has been dead for a
week.
It happened, so far as I’ve been
told, like this:
On a normal Sunday afternoon one
week ago, my best friend attended mass with her mother. Following the sermon,
and the morning chitchat and gossip, the two left the Church of Good Hope and
Faith—which stands no more than three blocks away—and began to drive home. It
was a completely boring, mundane, everyday Sunday.
At least until they reached the
corner of Birch and Main.
This is the point where Missus
Baxter, Caroline’s mother, has trouble remembering, or at least processing, what happened next. Perhaps
this is due to the trauma she sustained during the accident affecting her
brain, or just grief attempting to save her battered, innocent mind from
reliving the event as it had occurred.
Regardless, the story plays out
as follows:
Missus Baxter advanced into the
intersection. Made it only halfway through. Then, a colossal force struck the
passenger’s side of her vehicle, causing her small car to spin not once, and
not twice, but three times before coming to a stop.
It was only upon lifting her
eyes, and turning her head to regard the space where her daughter should have
been, that the reality took hold of her.
Caroline was dead, and there was
nothing she, or anyone, could do about it.
The coroner concluded that
Caroline had been killed instantly upon impact.
I don’t know if that’s a
blessing, or even worse: a curse.
It’s been over a week since the
accident, and three days since Caroline was laid to rest in the cemetery behind
the church. Three days since our small Texas town came together to mourn the
passing and honor the life of a girl who wanted to do so much.
It’s also the third night that
I’ve heard the bell ringing in the night.
A part of me wants to think that
I’m just imagining things—that what I am hearing is also an intrinsic part of
my grief—but still, I can’t help but think about what I did three nights ago,
after Caroline was buried and the flowers were hung on her grave.
I’d stolen out in the night. Hung
a small bell on the hook where the family’s bouquet of flowers were only meant
to be hanged. Prayed, in no uncertain
order, for an answer to horrible grief.
I’d asked Caroline only one thing
that night: to ring the bell if she needed me.
So far, I’ve ignored the bell for
three days straight.
I am still unsure what to do.
A part of me wants to believe it
is the wind shifting the bell, therefor causing the clapper to clink against
its lid. The only problem with that
sentiment is that the church is three blocks away, and there is no possible way
in Heaven or upon Earth that I would hear it from this far away.
This leads me to only one
conclusion:
Caroline is trying to reach me;
and I am too scared to answer her call.
As I lie here, in my bed,
listening to the sound of the bell chiming and mulling over what I could
possibly do next, I find myself dreading what I feel I must do.
I haven’t been to the cemetery
since the night of the funeral.
Now, I’m contemplating going
back.
But, therein lies the problem:
To get back to the cemetery, I
have to leave my home. To leave my home, I have to sneak outside. But to sneak
outside, I have to walk past my father, who is normally asleep in my long-gone
grandma’s old recliner. This would normally not be an issue, since my father
sleeps like the dead. But the creaking door—which is positioned no less than
five feet away—is an adversary, as no matter how slowly or how much you open
it, it creates a low, whining noise, which may separate me from my ability to
get out of my home.
As these thoughts rush through my
head, bombarding me as if I am the moon overhead with meteorites crashing onto
my surface, I try my hardest not to succumb to panic. To dread. To complete and
utter desolation.
How, I wonder, will I do
this?
It takes several moments for my
mind to break free of the cycle of torment. When it finally does, a single
thought occurs to me:
My window.
I could simply open my window and
jump out. It isn’t that high off the ground. It’s not like I haven’t crawled
through it when we’ve locked ourselves out of the house.
You have to think clearly, I am quick to remind myself. You’re letting your emotions get the best of
you.
How can’t they, though, when they are so present, so cruel, so completely and utterly consuming?
With a shake of my head, I crawl
from bed, take a moment to consider what I am about to do, then turn my head to
the window.
In moments, I am gathering
clothes.
In seconds, I am pulling them on.
And in minutes, I am bracing my
hands along the windowsill, and contemplating the potential ramifications of my
actions.
They’ll never believe you, a part of me says, if you say you were sleepwalking.
I’d stopped that habit long ago.
And even if for whatever reason I did
still sleepwalk, who’s to say they’d believe that I’d not only dressed, but
opened the window and walked three blocks down the road?
People have done worse, I am quick to remind myself.
But I am not some people.
With that thought in mind, I make
my decision.
I open the window. Look first up,
then down the road to ensure that no lights in windows are on. Then, I jump
out.
Landing outside, on the firm but
plush grass, leaves me reeling. Reaching up to slide the window back into
place, meanwhile, is like opening Pandora’s Box just a crack to see what might
be inside.
To think that I am answering
Caroline’s call after these three unfortunate days is almost impossible.
But I’m doing it, I think. I’m
doing it for you, Caroline.
“My best friend,” I whisper,
“until the end.”
It takes only a moment for me to
contemplate what I’m doing next.
A short second later, I start up
the road.
The night is calm, almost eerily
so. There are no cars rolling down the road, no dogs barking along the street.
The only thing I can hear is the tinkling of that small bell.
The bell, I think, that is
beckoning me with its call.
A part of me still wants to
believe that I am being irrational—that no matter how much I want or need this
to be true, I am just a delusional girl wandering in the dark, seeking out the
ghost of her best friend. The only
problem is that, even if I wanted
to believe I was delusional, and even from
all this time and distance, I can still hear it, plain as day, as if it is
ringing no more than a foot away. There is no plausible explanation for that,
and no real way to deny it as a result.
In the end, one thing is more
than clear:
Something is making that bell chime.
The thought—and the way it is
phrased within my mind—instantly draws me to a halt.
Something, I think.
A frown curls my lips. A sudden
desperation fills my heart. An insane thought occurs to me—and though as much
as I try to deny it, I find myself considering it all the same.
What if it isn’t Caroline ringing that bell, but someone, or something, else?
The idea that my good intentions
could have been sabotaged by something real or even imagined leaves me feeling
breathless. Panic tugs at my body, my mind, my poor, unfortunate soul. It feels
as if, at any moment, I will simply collapse.
Yet, I keep walking—
Walking—
—to that graveyard, that place
where my best friend is buried, one week dead and three days in the ground.
I know I should be cautious. I
know that I should be scared, especially if something truly malevolent is
occurring. And even though the reasonable
part of me wants to argue that this isn’t
a bad idea, that it can’t be anything other
than Caroline, I know for a fact that I must entertain the idea.
Unfortunately, my promise to my
best friend is trumping my fear.
It is for that reason that I
walk—hands in my pockets, eyes set ahead, ears attuned for anyone or anything
that might be lurking in the dark.
My mother always told me not to
be afraid of, but always cautious about, the time after dark.
Tonight, little more than
lamplight and the overhead moon offers me line of sight.
Fortunately for me, I have walked
far enough to where I can now see the church of Good Hope and Faith rising from
the darkness, its single peak and the angel atop its surface seemingly
glimmering in the night.
I want to believe that I am doing
the right thing. That I am being watched over. That nothing ill will come of
this. Sadly, I do not know if that will be the case.
As I approach Birch and Main—and
see, on the very edge of the crosswalk, those flowers, Caroline’s picture—I
find my heart breaking all over again.
This is the place. This is the
place where, no more than five minutes after leaving Good Hope and Faith,
Caroline was taken from this world by a drunk driver—a teenager coming down
from a bender after a night of partying.
A single sob echoes from my
throat.
It is answered only by the
tinkling of the bell.
“I’m here,” I whisper, turning to
face the church, behind which the cemetery lies. “I’m here, Caroline. I came.”
The bell chimes three separate
time—as if it is saying, Come to me.
Ding… ding… ding.
Ding… ding… ding.
Ding… ding… ding.
I struggle to swallow my
reservations. To fight back the inhibitions threatening to hold me in place. To
courageously and stalwartly step forward. Yet no matter how hard I try to move,
I find myself rooted to the spot—simply looking, merely staring.
Somehow—someway—I am able to defy the odds.
Moving one foot forward, then the
other.
Advancing one step, then another.
Breathing deep, exhaling hard,
only to repeat the process anew.
There is no telling what I will
find come time I cross the road ahead. When I wander through the passage
leading into the cemetery. When I come to face her presently-unmarked grave, at
the face of which is a simple stand with flowers, the bell dangling from a
single hook.
I want to be brave. I really do.
But deep down, I am scared; and
that is perhaps the worst thing of all.
But, like with all things, fear
is the result of a reaction, the response to it another link in the overall
chain of trauma. To connect those links—to prevent the binds from sinking, the
metal from shattering—one must make a conscious effort to move forward. This is
why, in the moments that follow, I continue to make my way forward.
Like all good girls, I take the
crosswalk. But like most girls would in the dead of night, I do not wait for a
sign or signal, a gentle touch to the guardian at the crossroads. I simply pass
beneath the traffic light in silence, and jaywalk forward with the
determination of a girl scorned by the world and all its woes.
Stepping beneath the church’s
shadow, for this one simple purpose, is damning. Knowing that I am soon to face
the ghost of my best friend? That is something else entirely.
You can do this, I am quick to remind myself. You know you can.
“I have to do this,” I tell
myself. “For me. For her.”
As I approach the passage that
leads into the cemetery, I take a moment to consider what it is I am about to
do.
Then, I enter.
The cemetery is dark, the
atmosphere cold, what little fragments of light revealing only shadows, not
truths. Still—I know, in this circumstance, that I do not need light to guide
me.
No.
All I need is the sound of the
bell.
Ding… ding… ding.
Ding… ding… ding.
I follow its reverberation as if
I know this place by heart—as if I have wandered this consecrated land for all
of time. Stepping between headstones, crushing dry flower petals beneath my
feet, maneuvering, ever so solemnly, toward my destination.
The moment I step up to Caroline’s
unmarked grave is the moment everything comes into focus.
Moonlight pierces through the
clouds. Shines starkly upon the cemetery. Illuminates everything I could
possibly know, including that single rose-gold bell.
“Caroline,” I whisper. “Are you
there?”
The bell chimes softly.
“What’s wrong?” I ask as I crouch
down to face the bell. “Do you need something from me?”
The bell chimes again.
“I told you to call if you needed
me,” I whisper. “To ring the bell if ever you needed me here. But now that I’m
here… I… I don’t know what to do.”
The bell chimes once more.
I turn my head to regard the exit
to the cemetery—maybe in the hopes that someone will enter, that maybe someone
will answer my silent, unheard plea. When I find that no one is there, though,
I return my gaze back to the bell—
—only to find that it has stopped
chiming.
Crouching down, I extend my hand
toward it—to carefully caress its smooth edges, its fragile countenance—and
close my eyes as I allow my heart and body and mind and soul to echo into the
universe around me.
For a moment, I feel as though I
will break.
But how can something already
shattered be destroyed even further?
This, I do not know; and this, I
try my hardest not to question. For in this moment of utter tranquility—of
stark and blessing peace—I feel closer to Caroline than I ever have before.
“Do you—” I start to say, then
pause, unsure how, or if, I want to continue. “Do you want me to let
you go?”
The bell chimes softly.
A shudder flows through
me—rocking first my torso, then my limbs.
“Is it time to say goodbye?” I
whisper.
The bell chimes once again.
“I can’t let you go,” I say,
blinking in an attempt to clear my vision, but only offering way to tears
instead. “I… I just… I can’t, Caroline. I just can’t.”
The bell chimes again.
“You were my best friend.”
Harder.
“My only friend.”
More insistently.
“I don’t know how to live without
you.”
This time, the bell falls silent.
As a sob escapes me—echoing out
into this place, this space—I find my heart breaking all over again.
Then, abruptly, a memory strikes
me.
I was heartbroken at one
point—when, on the night of the junior dance, my date, Tommy Sullivan, was a
no-show. Having been told, consistently, that he would show up, I waited
beneath the awning leading into the high school auditorium with my head held high
and my back straight. Caroline was there, too, waiting for me just as I was for
Tommy. She asked if I was coming in, and I said no, that I had to wait, that he
would show up. But I knew then and there that Tommy was not going to come—that
I was merely hanging on to false hope. So when the tears began to roll down my
face, and my emotions along with them, Caroline had set a hand on my arm and
said but five words:
You have to be strong.
“Is this a sign?” I whisper,
lifting my eyes to face the bell. “Are you telling me that I have to be
strong?”
The bell chimes softly in
response.
Lifting my eyes, I gaze upon the
exposed ground, the supple earth, the place where, six feet under, Caroline
Baxter has been laid to rest. I want so desperately for her to say something—to
hear her voice one last time—but I know I will ever hear, or see, her again.
It is with that realization—that
cruel, damned justification—that I reach up to wipe the tears from my face, and
say, “I guess this is really is goodbye.”
This time, the bell does not
respond.
As I push myself to my feet,
slowly but surely allowing myself a moment to regain my strength, I look down
at the single bell, those beautiful flowers, that fresh grave, and say the few
words I wish I could have said one last time.
“I love you,” I whisper.
And when finally it comes time
for me to turn—to make my way between those gravestones, those crushed petals,
those solemn corridors—I wait for a sign, any
sign, from Caroline.
But none comes.
At the threshold leading both
into, and out of, the Cemetery of Good Hope and Faith, I turn my head to look
back at her final resting place, and realize something.
Caroline may be gone—maybe
forever to some, but only temporarily to others—I feel, deep down, that she
will always be with me.
In me, Caroline lives on.
With that in mind, I turn and
walk away.
I do not hear the bell the entire
way home.